III.
RIGHT Photograph taken in
Brancusi's Paris studio in 1929 including the scupltures Léda, Colonnes sans fin Ià III and Chimère.
IV.
BELOW All 16 cast-iron modules were threaded on a steel spine.
Photography courtesy of Centrul Brâncusi.
Close Up: Endless Column
Visual Studies 06
Endless Column, Constantin Brâncuși, is first carved in 1918 from a single oak beam. A repeated
rhomboid form, pointed at both ends and stacked one upon another. Less than 2 meters high,
the sculpture stood in the garden of a friends house in Targu Jiu, Romania.
mohair
The mohair blanket is a soft, voluminous blanket with a welcoming tactility, hand-woven using the finest mohair with added wool for greater body and increased longevity. Our Artisans follow centuries-old tradition working the Angora fibres into superlatively soft blankets. Smooth and lustrous in texture, each is breathable and lightweight, crease - resistant and kind to sensitive skin.
As a naturally renewable resource needing no chemical treatment, mohair goes gently on the earth in its production while providing strength and resilience when spun into yarn.
newsletter
mohair
The mohair blanket is a soft, voluminous blanket with a welcoming tactility, hand-woven using the finest mohair with added wool for greater body and increased longevity. Our Artisans follow centuries-old tradition working the Angora fibres into superlatively soft blankets. Smooth and lustrous in texture, each is breathable and lightweight, crease - resistant and kind to sensitive skin.
As a naturally renewable resource needing no chemical treatment, mohair goes gently on the earth in its production while providing strength and resilience when spun into yarn.
newsletter
In 1938, he made the work at monumental scale. Cast in iron and rising nearly thirty metres high, the column was constructed from seventeen repeated modules, finished with half-units at either end. The geometry is exact and disciplined in its consistency, yet standing beneath it, the form appears endless.
Inspired by Romanian folk architecture, and the funerary pillars carved by hand in rural villages. Brâncuși grew up among them, and understood the strength of a repeated form. He continued returning to the idea throughout his life.
In 1938, he made the work at monumental scale. Cast in iron and rising nearly thirty metres high, the column was constructed from seventeen repeated modules, finished with half-units at either end. The geometry is exact and disciplined in its consistency, yet standing beneath it, the form appears endless.
Close Up:
Endless Column
Visual Studies 06
Endless Column, Constantin Brâncuși, is first carved in 1918 from a single oak beam. A repeated rhomboid form, pointed at both ends and stacked one upon another. Less than 2 meters high, the sculpture stood in the garden
of a friends house in Targu Jiu, Romania.
I. ABOVE Edward Steichen (1879-1973), Brancusi's "Endless Column" in Mr. Steichen's Garden, Voulangis, France, ca. 1922.
Close Up: Endless Column
Visual Studies 06
Ruth Asawa (I926-2013) created hanging, looped-wire sculptures that are transparent and weightless, often resembling organic or geometric.
Endless Column, Constantin Brâncuși, is first carved in 1918 from a single oak beam. A repeated
rhomboid form, pointed at both ends and stacked one upon another. Less than 2 meters high, the sculpture stood in the garden of a friends house in Targu Jiu, Romania.
Inspired by Romanian folk architecture, and the funerary pillars carved by hand in rural villages. Brâncuși grew up among them, and understood the strength of a repeated form. He continued returning to the idea throughout his life.
In 1938, he made the work at monumental scale. Cast in iron and rising nearly thirty metres high, the column was constructed from seventeen repeated modules, finished with half-units at either end. The geometry is exact and disciplined in its consistency, yet standing beneath it, the form appears endless.
Inspired by Romanian folk architecture, and the funerary pillars carved by hand in rural villages. Brâncuși grew up among them, and understood the strength of a repeated form. He continued returning to the idea throughout his life.
II. ABOVE Constantin Brâncuși-designed sculpture within a park, honoring Romanian soldiers in WWI, Park of the Infinite Column / Cast iron, Oak / 27 October 1938
V. ABOVE All 16 cast-iron modules were threaded on a steel spine. Photography courtesy of Centrul Brâncusi.
III.
RIGHT Photograph taken in
Brancusi's Paris studio in 1929 including the scupltures Léda, Colonnes sans fin Ià III and Chimère.
IV.
BELOW All 16 cast-iron modules were threaded on a steel spine.
Photography courtesy of Centrul Brâncusi.
In 1938, he made the work at monumental scale. Cast in iron and rising nearly thirty metres high, the column was constructed from seventeen repeated modules, finished with half-units at either end. The geometry is exact and disciplined in its consistency, yet standing beneath it, the form appears endless.
Inspired by Romanian folk architecture, and the funerary pillars carved by hand in rural villages. Brâncuși grew up among them, and understood the strength of a repeated form. He continued returning to the idea throughout his life.
I. ABOVE Edward Steichen (1879-1973), Brancusi's "Endless Column" in Mr. Steichen's Garden, Voulangis, France, ca. 1922.
II. ABOVE Constantin Brâncuși-designed sculpture within a park, honoring Romanian soldiers in WWI, Park of the Infinite Column / Cast iron, Oak / 27 October 1938
V. ABOVE All 16 cast-iron modules were threaded on a steel spine. Photography courtesy of Centrul Brâncusi.
I. ABOVE Edward Steichen (1879-1973), Brancusi's "Endless Column" in Mr. Steichen's Garden, Voulangis, France, ca. 1922.
III.
RIGHT Photograph taken in
Brancusi's Paris studio in 1929 including the scupltures Léda, Colonnes sans fin Ià III and Chimère.
IV.
BELOW All 16 cast-iron modules were threaded on a steel spine.
Photography courtesy of Centrul Brâncusi.
mohair
The mohair blanket is a soft, voluminous blanket with a welcoming tactility, hand-woven using the finest mohair with added wool for greater body and increased longevity. Our Artisans follow centuries-old tradition working the Angora fibres into superlatively soft blankets. Smooth and lustrous in texture, each is breathable and lightweight, crease - resistant and kind to sensitive skin.
As a naturally renewable resource needing no chemical treatment, mohair goes gently on the earth in its production while providing strength and resilience when spun into yarn.
newsletter
III.
ABOVE Photograph taken in
Brancusi's Paris studio in 1929 including the scupltures Léda, Colonnes sans fin Ià III and Chimère.
IV.
BELOW All 16 cast-iron modules were threaded on a steel spine.
Photography courtesy of Centrul Brâncusi.
I. ABOVE Edward Steichen (1879-1973), Brancusi's "Endless Column" in Mr. Steichen's Garden, Voulangis, France, ca. 1922.
II. ABOVE Constantin Brâncuși-designed sculpture within a park, honoring Romanian soldiers in WWI, Park of the Infinite Column / Cast iron, Oak / 27 October 1938
V. ABOVE All 16 cast-iron modules were threaded on a steel spine. Photography courtesy of Centrul Brâncusi.
II. ABOVE Constantin Brâncuși-designed sculpture within a park, honoring Romanian soldiers in WWI, Park of the Infinite Column / Cast iron, Oak / 27 October 1938
V. ABOVE All 16 cast-iron modules were threaded on a steel spine. Photography courtesy of Centrul Brâncusi.